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~ (n): An office or position that provides its occupant with an outstanding opportunity to speak out on any issue.

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Tag Archives: Trojan War

When the Wealthy Fought on the Frontlines

22 Wednesday Oct 2014

Posted by jrbenjamin in Literature, War

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Tags

combat, Glaucus, Greek History, Homer, Sarpedon, Stanley Lombardo, The Iliad, Trojan War, War

Greek myths

“Glaucus, you know how you and I
Have the best of everything in Lycia —
Seats, cuts of meat, full cups, everybody
Looking at us as if we were gods?

Not to mention our estates on the Xanthus,
Fine orchards and riverside wheat fields.
Well, now we have to take our stand at the front,
Where all the best fight, and face the heat of battle,
So that many an armored Lycian will say,
‘So they’re not inglorious after all,
Our Lycian lords who eat fat sheep
And drink the sweetest wine. No,
They’re strong, and fight with our best.’
Ah, my friend, if you and I could only
Get out of the war alive and then
Be immortal and ageless all of our days.
I would never again fight among the foremost
Or send you into battle where men win glory.

But as it is, death is everywhere
In more shapes that we can count,
And since no mortal is immune or can escape,
Let’s go forward, either to give glory
To another man or get glory from him.”

__________

Sarpedon speaking to Glaucus during the height of the Trojan War. Lines 320-342 in book 12 of Homer’s Iliad (Lombardo translation).

The wealthy, the heads of government fighting at the front lines. What a concept.

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The Odyssey Home

07 Thursday Nov 2013

Posted by jrbenjamin in History, War

≈ 7 Comments

Tags

battle, Chris Hedges, classics, conflict, epic poetry, Greek, home, Homer, Iraq War, literature, Military, New York Times, Odysseus, poetry, PTSD, Speak Memory, Stanley Lombardo, The Iliad, The Odyssey, Trojan War, Vladimir Nabokov, War, Western Civilization, Writing

D-Day InvasionSPEAK, MEMORY—
Of the cunning hero,
The wanderer, blown off course time and again
After he plundered Troy’s sacred heights.

Speak
Of all the cities he saw, the minds he grasped,
The suffering deep in his heart at sea
As he struggled to survive and bring his men home
But could not save them, hard as he tried—
The fools—destroyed by their own recklessness
When they ate the cattle of Hyperion the Sun,
And that god snuffed out their day of return.

Of all these things
Speak, Immortal One,
And tell the tale once more in our time.

By now, all the others who had fought at Troy—
At least those who had survived the war and the sea—
Were safely back home. Only Odysseus
Still longed to return to his home and his wife.

__________

Book I, Lines 1-18 of Homer’s Odyssey (Stanley Lombardo’s translation).

These lines were composed in the 8th century BCE. Other than the Iliad, the work which these words set off is the oldest extant work of Western literature.

As a reminder to those who’ve forgotten their 10th grade English curriculum, the Iliad is the story of the final few weeks of the Trojan War. The Odyssey is the decade-long tale of its hero, Odysseus, as he returns home to his wife and son in Ithaca, where he is king. Odysseus is noted for his brilliance, perseverance, and cunning; he devised the Trojan horse, the winning ruse which, after ten years of warfare, led the Greeks to “plunder Troy’s sacred heights”.

The larger narrative of the Iliad and Odyssey is an immortal one, vibrating with harsh and immediate lessons for our own age. Philosophically, it relates the pitfalls of pride, the capriciousness of fate, the pulls of romantic love, and the truth of Oscar Wilde’s great dictum to be careful what you wish for — you may get it. On a practical level, however, it tells of war’s horrors and pities, its moments for heroism and glory, and the fact that, oftentimes, the settling of the dust marks only half the battle, because it’s the return home that often proves most perilous. It was true in the day of Patroclus, and true in the age of PTSD. As Chris Hedges noted, in his New York Times review of the Lombardo translation, “every recruit headed into war would be well advised to read the Iliad, just as every soldier returning home would be served by reading the Odyssey.”

Some brief notes about SPEAK MEMORY:

The opening words are essential. Homer’s poems would not have been codified on tablets or parchment; instead they were orated to an audience and set to some form of rhythmic music, such as the slow beat of a griot’s drum. For this reason, it’s important to try to hear his words spoken, either by yourself or by a performer such as Stanley Lombardo, who penned the above translation and reads them in the video below.

“Speak Memory” is also crucial because although we don’t know whether Homer was an actual person, folklore tells us that he was real and that he was also blind. So the “memory” part was something he would have only been able to express through his tongue. What’s more, like Shakespeare, he may never have existed; like Milton, he may never have actually seen the works over which we now pore.

Third, “Speak Memory” is notable because it is also the title of Vladimir Nabokov’s memoir. In a strong field, one of the most compelling titles I know of for an autobiography.

Watch Lombardo perform this portion of the Odyssey, as well as an extended discussion about the work, here:

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