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Tag Archives: French Revolution

Meet Napoleon Bonaparte

13 Wednesday May 2015

Posted by jrbenjamin in History

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Alexander the Great, Andrew Roberts, Battle of Leipzig, Biography, European History, France, French Revolution, George Patton, history, Josephine Bonaparte, Julius Caesar, military history, Monarchy, Napoleon, Napoleon: A Life, Romeo and Juliet, St Helena, Ulysses Grant, War, Winston Churchill

Napoleon Bonaparte

“Napoleon Bonaparte was the founder of modern France and one of the great conquerors of history. He came to power through a military coup only six years after entering the country as a penniless political refugee. As First Consul and later Emperor, he almost won hegemony in Europe, but for a series of coalitions specifically designed to bring him down. Although his conquests ended in defeat and ignominious imprisonment, over the course of his short but eventful life he fought sixty battles and lost only seven. For any general, of any age, this was an extraordinary record. Yet his greatest and most lasting victories were those of his institutions, which put an end to the chaos of the French Revolution and cemented its guiding principle of equality before the law…

The leadership skills he employed to inspire his men have been adopted by other leaders over the centuries, yet never equaled except perhaps by his great devotee Winston Churchill. Some of his techniques he learned from the ancients — especially his heroes Alexander the Great and Julius Caesar — and others he conceived himself in response to the circumstances of the day. The fact that his army was willing to follow him even after the retreat from Moscow, the battle of Leipzig and the fall of Paris testifies to his capacity to make ordinary people feel that they were capable of doing extraordinary, history-making deeds. A more unexpected aspect of Napoleon’s personality that also came out strongly over the course of researching this book was his fine sense of humour. All too often historians have taken seriously remarks that were clearly intended as humorous. Napoleon was constantly joking to his family and entourage, even in the most dire situations.

Napoleon’s love affair with Josephine has been presented all too often in plays, novels and movies as a Romeo and Juliet story: in fact, it was anything but. He had an overwhelming crush on her, but she didn’t love him, at least in the beginning, and was unfaithful from the very start of their marriage. When he learned of her infidelities two years later while on campaign in the middle of the Egyptian desert, he was devastated. He took a mistress in Cairo in part to protect himself from accusations of cuckoldry, which were far more dangerous for a French general of the era than those of adultery.

Napoleon Bonaparte at the Sphinx

Yet he forgave Josephine when he returned to France, and they started off on a decade of harmonious marital and sexual contentment, despite his taking a series of mistresses. Josephine remained faithful and even fell in love with him. When he decided to divorce for dynastic and geostrategic reasons, Josephine was desolate but they remained friendly. Napoleon’s second wife, Marie Louise, would also be unfaithful to him, with an Austrian general Napoleon had defeated on the battlefield but clearly couldn’t match in bed…

Napoleon represented the Enlightenment on horseback. His letters show a charm, humor and capacity for candid self-appraisal. He could lose his temper — volcanically so on occasion — but usually with some cause. Above all he was no totalitarian dictator, as many have been eager to suggest: he may have established an unprecedentedly efficient surveillance system, but he had no interest in controlling every aspect of his subjects’ lives.

Overall, Napoleon’s capacity for battlefield decision-making was astounding. Having walked the ground of fifty-three of his sixty battlefields, I was astonished by his genius for topography, his acuity and sense of timing. A general must ultimately be judged by the outcome of the battles, and of Napoleon’s sixty battles and sieges he lost only Acre, Aspern-Essling, Leipzig, La Rothière, Lâon, Arcis and Waterloo. When asked who was the greatest captain of the age, the Duke of Wellington replied: ‘In this age, in past ages, in any age, Napoleon.’

He convinced his followers they were taking part in an adventure, a pageant, an experiment and a story whose sheer splendour would draw the attention of posterity for centuries. He was able to impart to ordinary people the sense that their lives—and, if necessary, their deaths in battle—mattered in the context of great events. They too could make history. It is untrue that he cared nothing for his men and was careless with their lives. He lost a friend in almost every major battle, and his letters to Josephine and Marie Louise make it clear that these deaths, and those of his soldiers, affected him. Yet he could not allow that to deflect him from his main purpose of pursuing victory, and he would not have been able to function as a general if it had, any more than Ulysses Grant or George Patton could have done.

Napoleon certainly never lacked confidence in his own capacity as a military leader. On St Helena, when asked why he had not taken Frederick the Great’s sword when he had visited Sans Souci, he replied, ‘Because I had my own.’”

__________

From the introduction to Andrew Robert’s new biography, published November 4th last year, Napoleon: A Life.

Make more introductions:

  • Meet Alexander
  • Meet Augustine
  • Meet Isaac Newton
  • Meet Thomas Jefferson (then his father)

Napoleon Bonaparte

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Does Two Plus Two Equal Four?

02 Tuesday Jul 2013

Posted by jrbenjamin in Literature, War

≈ 4 Comments

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1984, Adolf Hitler, Albert Camus, Assignment in Utopia, Atlas Shrugged, Ayn Rand, Don Juan, Emmanuel Joseph Sieyè, Eugene Lyons, French Revolution, Fyodor Dostoevsky, George Orwell, God and the State, Hermann Göring, Ivan Turgenev, John Galt, La Peste, Mikhail Bakunin, Molière, Napoelon, Nineteen Eighty-Four, Notes from the Underground, peace, Poems in Prose, prayer, Stalin, stupidity, The Plague, Victor Hugo, violence, War, What Is the Third Estate?, Winston Smith

Albert Camus“When a war breaks out, people say: ‘It’s too stupid; it can’t last long.’ But though the war may well be ‘too stupid,’ that doesn’t prevent its lasting. Stupidity has a knack of getting its way; as we should see if we were not always so much wrapped up in ourselves…

The evil that is in the world always comes of ignorance, and good intentions may do as much harm as malevolence, if they lack understanding. On the whole men are more good than bad; that, however, isn’t the real point. But they are more or less ignorant, and it is this that we call vice or virtue; the most incorrigible vice being that of an ignorance which fancies it knows everything and therefore claims for itself the right to kill. There can be no true goodness, nor true love, without the utmost clear-sightedness…

There always comes a time in history when the person who dares to say that 2+2=4 is punished by death. And the issue is not what reward or what punishment will be the outcome of that reasoning. The issue is simply whether or not 2+2=4.”

__________

From Albert Camus’s The Plague.

Other Attempts at Two Plus Two:

In a display of ridiculous, zealous fidelity to Hitler, Reichsmarschall Hermann Göring once proclaimed, “If the Führer wants it, two and two makes five!”

In Assignment in Utopia, Eugene Lyons near-surreal account of life in the Soviet Union, there is a chapter titled “Two Plus Two Equals Five”. This slogan was a favorite or Stalin’s and was frequently repeated in Moscow at the time; it refered to the dogmatically held belief that the Five Year Plan would be finished in four years.

In his collection Poems in Prose, Ivan Turgenev’s poem Prayer disputes the logic of petitions to the divine:“Whatever a man prays for, he prays for a miracle. Every prayer reduces itself to this: Great God, grant that twice two be not four.”

In being petitioned on his deathbed to return to the Russian Orthodoxy of his youth, Leo Tolstoy said, in what some claim to be his final words, “Even in the valley of the shadow of death, two and two do not make six.”

In Nineteen Eighty-Four, Winston Smith declares: “In the end the Party would announce that two and two made five, and you would have to believe it. It was inevitable that they should make that claim sooner or later: the logic of their position demanded it. Not merely the validity of experience, but the very existence of external reality, was tacitly denied by their philosophy… If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then?”

In the opening of Notes from the Underground, an unnamed protagonist (The Underground Man) reasons for several pages about whether two pus two does add to four. Dostoyevsky makes clear that the purpose of this is not ideological, but rather an extension of man’s solipsistic desire for free will beyond the confines of time, space, and even hard logic. “I admit that twice two makes four is an excellent thing,” admits the narrator, “but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.”

In 1852, Victor Hugo was outraged by what he saw as a glaring hypocrisy in his fellow Frenchmen, who were so eager to endorse the liberal values of Napoleon III while overlooking the authoritarianism of his coup d’état. Hugo declared, “Now, get seven million five hundred thousand votes to declare that two and two make five, that the straight line is the longest road, that the whole is less than its part; get it declared by eight millions, by ten millions, by a hundred millions of votes, you will not have advanced a step.”

(This was borrowed from the Catholic clergyman Emmanuel Joseph Sieyè, who, writing in “What Is the Third Estate,” observed that, “…if it be claimed that under the French constitution, 200,000 individuals out of 26 million citizens constitute two-thirds of the common will, only one comment is possible: it is a claim that two and two make five.”)

In God and the State, Mikhail Bakunin described the Deistic worldview: “Imagine a philosophical vinegar sauce of the most opposed systems, a mixture of Fathers of the Church, scholastic philosophers, Descartes and Pascal, Kant and Scottish psychologists, all this a superstructure on the divine and innate ideas of Plato, and covered up with a layer of Hegelian immanence accompanied, of course, by an ignorance, as contemptuous as it is complete, of natural science, and proving just as two times two make five; the existence of a personal God.”

In Atlas Shrugged, John Galt says, “the noblest act you have ever performed is the act of your mind in the process of grasping that two and two make four.”

In Molière’s play Don Juan, the protagonist is asked for a state of what he believes to be true. His answer is that he thinks two plus two equals four.

If anyone knows any more of these, send them as a message or post them in the comments section…

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