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Tag Archives: cynicism

Is the World Getting Worse?

29 Friday Aug 2014

Posted by jrbenjamin in Literature

≈ Comments Off on Is the World Getting Worse?

Tags

Bujak, Bujak and the Strong Force, cynicism, Einstein's Monsters, Fear, Fiction, Geopolitics, God's Dice, Life, Martin Amis, Modernity, politics, Short Story, terror

Martin Amis

“You ask yourself the question every time you open a newspaper or switch on the TV or walk the streets… You know the question. It reads: Just what the hell is going on around here?

The world looks worse every day. Is it worse, or does it just look it? The world gets older. The world has seen and done it all. Boy, is it beat. It’s suicidal… the world has done too many things too many times with too many people, done it this way, that way, with him, with him. The world has been to so many parties, been in so many fights, lost its keys, had its handbag stolen, drunk too much. It all adds up. A tab is presented. Our ironic destiny. Look at the modern infamies, the twentieth-century sins. Some are strange, some banal, but they all offend the eye, covered in their newborn vernix. Gratuitous or recreational crimes of violence, the ever-less-tacit totalitarianism of money (money—what is this shit anyway?), the pornographic proliferation, the nuclear collapse of the family (with the breeders all going critical, and now the children running too), the sappings and distortions of a mediated reality, the sexual abuse of the very old and the very young (of the weak, the weak): what is the hidden denominator here, and what could explain it all?

To paraphrase Bujak, as I understood him. We live in a shameful shadowland. Quietly, our idea of human life has changed, thinned out. We can’t help but think less of it now. The human race has declassed itself. It does not live anymore; it just survives, like an animal. We endure the suicide’s shame, the shame of the murderer, the shame of the victim. Death is all we have in common. And what does that do to life?”

__________

Martin Amis, writing in the short story “Bujak and the Strong Force, or God’s Dice,” contained in his collection Einstein’s Monsters.

Martin Amis

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A Newspaper Is A Business Out To Make Money

05 Tuesday Nov 2013

Posted by jrbenjamin in Journalism, Literature, Politics

≈ 17 Comments

Tags

Apology for Smectymnuus, cynicism, Edward S. Herman, free press, Government, Harlan Potter, John Milton, John Steinbeck, John Updike, Manufacturing Consent, Mark Twain, mass media, media, news, newspaper, Noam Chomsky, NSA, Philip Marlowe, Philip Roth, politics, press, Raymond Chandler, Somerset Maugham, The Long Goodbye

Raymond Chandler by Ida Kar, vintage bromide print, early 1950s

“‘We live in what is called a democracy, rule by the majority of the people. A fine ideal if it could be made to work. The people elect, but the party machines nominate, and the party machines to be effective must spend a great deal of money. Somebody has to give it to them, and that somebody, whether it be an individual, a financial group, a trade union or what have you, expects some consideration in return. What I and people of my kind expect is to be allowed to live our lives in decent privacy. I own newspapers, but I don’t like them. I regard them as a constant menace to whatever privacy we have left. Their constant yelping about a free press means, with a few honorable exceptions, freedom to peddle scandal, crime, sex, sensationalism, hate, innuendo, and the political and financial uses of propaganda. A newspaper is a business out to make money through advertising revenue. That is predicated on its circulation and you know what the circulation depends on.’…

‘There’s a peculiar thing about money,’ he went on. ‘In large quantities it tends to have a life of its own, even a conscience of its own. The power of money becomes very difficult to control. Man has always been a venal animal. The growth of populations, the huge costs of wars, the incessant pressure of confiscatory taxation — all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family.

In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what it sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average American housewife can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr. Marlowe. The stuff inside is mostly junk.”

__________

A monologue from the multimillionaire Harlan Potter, speaking to detective Philip Marlowe in chapter 32 of Raymond Chandler’s 1953 novel The Long Goodbye.

Like many of the best novelists, Chandler can effortlessly slip canny and credible observations like this into the mouths of characters who inhabit an otherwise plot-driven story. John Updike, Philip Roth, Somerset Maugham, and John Steinbeck are some of the other modern novelists who, at least according to the top of my head, possess this same subtle gift.

I would, however, suggest a small addition to the above monologue. After the hinge sentence, “A newspaper is a business out to make money off of advertising revenue,” there should be a declarative phrase: “Nothing more, nothing less.” The reason: I think there’s a crucial corollary to the fact that a free press within a market economy will run on advertising revenue (and to a lesser degree, private donations or public subsidies). If there is consumer demand for news which is superficial, trivial, and tawdry, then that is the content which will generate the most advertising revenue — and will therefore be supplied. If enough consumers demand exhaustive coverage of the new NSA infrastructure in Cyprus — instead of, say, Ms. Cyrus —  then the former will quickly flood the airwaves as the latter recedes. In this sense, the Harlan Potters (and Rupert Murdochs and Ted Turners) of the world are not completely deserving of our condemnation, or at least may not be the first to blame for our ignorance and delusion en masse. No, what might first deserve indictment are the skewed economic incentives themselves, the educational system and cultural institutions which make us unreceptive to sober journalism. Perhaps, most fundamentally, the responsible party is the one hardest to hold accountable — ourselves.

One beef I have with the thesis of Noam Chomsky’s and Edward Herman’s famous 1988 analysis of the American mass media, Manufacturing Consent, is that it incriminates elites for the sensationalism and superficiality of most U.S. journalism and network news. Of course these issues have been reconfigured by the advent of the internet, but according to my take, a different premise — that I the consumer is ultimately driving what passes as “content” — is what obtains. If we crave insubstantial and easy-to-digest news coverage, then, like junk food, that’s what we’ll be served. Milton famously declared that, “they who have put out the people’s eyes, reproach them of their blindness”; in our case, if we’ve lost the ability to see, we may have no one to blame but ourselves.

As Twain would later observe, “If you don’t read the newspaper, you’re uninformed. If you read the newspaper, you’re mis-informed.” Surely there is enough blame to go around — but who’s most fundamentally at fault?

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