Tag Archives: Acting

The Bookends to Cary Grant’s Surprising Memoir

30 Sunday Jul 2017

Posted by in Biography, Film

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“I was born in the provincial city of Bristol, England, but have avidly frequented the brightest capitals of the world ever since, and now keep a permanent residence in the so-called, through misnamed, glamour capital of Hollywood.

I had no sisters, was separated from my mother when I was nine years old, was stammeringly shy in the presence of girls; yet have married three times and found myself making love on the screen — in public, mind you, in front of millions of people— to such fascinating women as Ingrid Bergman, Doris Day, Mae West, Irene Dunne, Deborah Kerr, Eva Marie Saint, Sophia Loren, Marlene Dietrich and Grace Kelly.

I was an only child… My father made no more than a modest living and we had little money. Yet today I am considered, except among the wealthy, to be wealthy. I received only a sketchy education by most scholastic standards, lacked confidence and the courage to enjoy life, but on the screen seem to have successfully epitomized an informed, capable and happy man. A series of contradictions too evident to be coincidental. Perhaps the original circumstances caused, created and provoked all the others. Perhaps they can all be reconciled into one complete life, my own, as I recall each step that led to each next step and look back on the path of my life from this older and, I trust, more mature viewpoint…

Regardless of a professed rationalization that I became an actor in order to travel, I probably chose my profession because I was seeking approval, adulation, admiration and affection: each a degree of love. Perhaps no child ever feels the recipient of enough love to satisfy him or her. Oh, how we secretly yearn for it, yet openly defend against it.

—

I have made over 60 pictures and lived in Hollywood for more than 30 years. Thirty years spent in the stimulating company of hard-working, excitable, dedicated, loving, serious, honest, good people. Casts and crews. I recognize and respect them. I know their faults and their insecurities. I hope they know and forgive mine. Thirty years ago my hair was black and wavy. Today it’s gray and bristly. But today people in cars, stopped alongside me at a traffic light, smile at me!

I feel fine. Alone. But fine. My mother is quite elderly. My wives have divorced me, and I await a woman with the best qualities of each. I will endow her with those qualities because they will be in my own point of view.

As a philosopher once said, ‘You cannot judge the day until the night.’ Since it is for me evening, or at least teatime, I can now look back and assess the day. It’s been a glorious adventure up to here — even the saddest parts — and I look forward to seeing the rest of the film. Just as I did in 1932 when I sat in that Paramount Studio office. I took up the pen and wrote for the first time ‘Cary Grant.’ And that’s who, it seems, I am. Well, as some profound fellow said, ‘I’d be a nut to go through all that again, but I wouldn’t have missed it for anything.'”

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Selections from Cary Grant’s short self-published autobiography, Archie Leach. He did find that woman, by the way.

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‘Addiction Is No Respecter of Persons’: Will Self on Philip Seymour Hoffman’s Demise

18 Tuesday Feb 2014

Posted by in Current Events, Film, Interview

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Will Self


Jeremy Paxman: Do you understand [Philip Seymour Hoffman’s] involvement with drugs?

Will Self: Well addiction’s no respecter of persons. You know there’s hardly anywhere you can point a finger, high or low in our society, and not hit somebody who’s got addiction issues. Heroin is a drug that we associate most strongly with addiction, but people can be addicted to all sorts of things. I think the fact that heroin was involved with his death is what people find very shocking, largely because of the image that heroin has in our culture…

The old sawhorse of whether the fact he was such an amazing actor was in some way connected to his drug use – or the pressures of his life led to his drug use – I dare say that’s in the mix, but you know, you can go to any poor or deprived part of our country, and throw a stick and you’ll hit somebody who’s got a heroin habit.

JP: It’s interesting, it’s often represented as a sort of loser’s drug, which is the environment that you are talking about there. By no stretch of the imagination was this man a loser.

WS: No, and as I say, you will find heroin addicts in every walk of life. But I think in America, in particular, there’s a very strange culture surrounding opiate drugs, which is the broader family of drugs of which heroin is one.

JP: What’s heroin like?

WS: You’re asking me personally?

I think that for people who don’t have a kind of need to be anesthetized, it probably is experienced as, yes, euphoric, but they wouldn’t necessarily feel a pull towards taking it again.

One of the strange things is that most of the people watching us now, at some time or other, will take medical diamorphine, which is heroin. And if they’re in pain, they’ll experience simply the removal of the pain.

JP: But it’s not instantly addictive though.

WS: No, it takes a fairly concerted effort to get addicted to opiate drugs, so you can say that people who do become addicted, maybe they’ve got a predisposition to it, but they have to make some decisions. They have to kind of decide to take it…

JP: But apparently he spent 20 years clean.

WS: Yes, that may well be true. Of course we don’t know whether he had other addictive behaviors that, so to speak, kept the addiction dormant.

I think that the way this story is being reported suggests this idea that addiction’s like a kind of ugly spirit that was cowed and pushed into the background, and then it reared up again in that way. I’m not sure that’s a very useful approach; it seems a rather medieval perception of it. But we don’t know what lead to him being in that situation. Again, very sadly, and this is only supposition, often with people who return to using heroin after a long period of abstinence, they can’t judge the dose. This happens quite frequently…

Philip Seymour Hoffman

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Will Self and Jeremy Paxman, talking last week on BBC Newsnight about the death of Philip Seymour Hoffman.

I recommend watching the remainder of this five minute interview for two primary reasons. First, Self is one of the more naturally expressive cultural commentators out there — and not only that, he’s a former heroin addict. Because of this, we must be extremely careful when weighing his words on this topic, especially those on the question of whether Hoffman’s creative genius was tied to his drug use, given that this riff could be a thinly veiled absolution of Self’s own related sins.

While I understand those who may take it this way — as a bit of self-justification designed to soften any critiques of his parallel personal history — I am inclined to take Self’s analysis as instructive, if also with a large grain of salt. His experience with the stuff colors his perception of it, sure, but it also means he knows more about it than I do. This is why the testimonies of sinners are always more powerful than those of saints: only they can say “I’ve been there” with a straight face.

I think it is also worth commending both Self and Paxman for the sobriety and gravity which they lend to this topic. So often, untimely celebrity deaths mark occasions for saccharine tributes and tabloid prying. So rarely do we recognize what we’ve lost and what we can learn. Yet notice how Paxman says “By no stretch of the imagination was this man a loser”; his voice registers the brilliance of Hoffman, the brutality of his demise, and how these two facts combine to cast a piteous shadow over the entire event. Hoffman’s death is devastating because he was a father, a son, and one of the most incandescently brilliant actors of our time. But it is also a moment for reflection because tragedies, unlike happy endings, are also the most dramatic lessons.

The Wisdom of Paul Newman

26 Sunday Jan 2014

Posted by in Film

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Paul Newman

“A man with no enemies is a man with no character.”

“You only grow when you are alone.”

“It’s more of a challenge.” (In response to being asked why he chose to identify with the Jewish side of his ethnicity)

“It’s like chasing a beautiful woman for 80 years. Finally, she relents and you say, ‘I’m terribly sorry. I’m tired.'” (After winning his first Oscar after so many losses)

“When you see the right thing to do, you’d better do it.”

“Men experience many passions in a lifetime. One passion drives away the one before it.”

“If you’re playing a poker game and you look around the table and and can’t tell who the sucker is, it’s you.”

“I had no natural gift to be anything — not an athlete, not an actor, not a writer, not a director, not a painter of garden porches — not anything. So I’ve worked really hard, because nothing ever came easily to me.”

“I’m a supporter of gay rights. And not a closet supporter either. From the time I was a kid, I have never been able to understand attacks upon the gay community. There are so many qualities that make up a human being… by the time I get through with all the things that I really admire about people, what they do with their private parts is probably so low on the list that it is irrelevant.”

“Who’s to say who’s an expert?”

“Acting isn’t really a creative profession. It’s an interpretative one.”

“Newman’s first law: It is useless to put on your brakes when you’re upside down.”

“Newman’s second law: Just when things look darkest, they go black.”

“We are such spendthrifts with our lives, the trick of living is to slip on and off the planet with the least fuss you can muster. I’m not running for sainthood. I just happen to think that in life we need to be a little like the farmer, who puts back into the soil what he takes out.”

“The problem with getting older is you still remember how things used to be.”

“I’ve repeatedly said that for people with as little in common as Joanne and myself, we have an uncommonly good marriage. We are actors. We make pictures and that’s about all we have in common. Maybe that’s enough. Wives shouldn’t feel obligated to accompany their husbands to a ball game; husbands do look a bit silly attending morning coffee breaks with the wives… Husbands and wives should have separate interests, cultivate different sets of friends and not impose on the other… You can’t spend a lifetime breathing down each other’s necks.”

“Show me a good loser and I will show you a loser.”

“Every time I get a script it’s a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It’s like falling in love. You can’t give a reason why.”

“I’d like to be remembered as a guy who tried – who tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being. Someone who isn’t complacent, who doesn’t cop out.”

Paul Newman

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Paul Newman was born on this day in 1925. If I could live the life of anyone in the past century, I’d probably go with Newman’s.

If you want to know more, pick up a copy of Shawn Levy’s biography Paul Newman: A Life. If you want to see more, flip through Paul Newman: A Life in Pictures.

Despite his Oscar, Emmy, and six Golden Globes, Newman claimed that his greatest accomplishment was being number nineteen on Richard Nixon’s enemies list. He garnered this “accolade” due to his support for Eugene McCarthy, for whom he campaigned in 1968. Newman was also a vocal and highly visible opponent of the Vietnam War. In the short video below, you can hear him forcefully criticizing both the war and the American public’s insulation from its human toll.